Four Factory Records

Four Factory Records

Buy It Now with Paypal

Four Factory Records is now available to buy again direct from Kooky. Please note that the initial run of 1175 has now sold out. Copies now being offered for sale are identical in every way to the initial release except for the fact that they are not numbered.

Available to buy now with Paypal (only) direct from Kooky Records. 6CD only. GBP 37.50 inc Worldwide p+p

Tracklisting

Disc one

The Return of The Durutti Column

Disc Two

LC

Disc Three

Another Setting

Disc Four

Without Mercy

Live Bonus Disc

Messidor - Night Moves, Glasgow 19/02/82
Party - Night Moves, Glasgow 19/02/82
Danny - Night Moves, Glasgow 19/02/82
Mercy Theme - London School of Economics 14/12/84
Mercy Dance - London School of Economics 14/12/84
Prayer - London School of Economics 14/12/84
The Beggar - London School of Economics 14/12/84
The Missing Boy - London School of Economics 14/12/84
For Belgian Friends - Brighton Zap Club 15/12/84
Self Portrait - Brighton Zap Club 15/12/84
Sketch for Summer - Brighton Zap Club 15/12/84

Demo/Studio Bonus Disc

Intervals - Home recording 1978
Katherine - Home recording 1978
Untitled - Home recording 1978
Conduct - Home recording 1978
In D - Issued on second pressing of Return of
The Act Commited - Graveyard Studio demo LC
Portrait for Frazier - Graveyard Studio demo LC
Detail for Paul - Graveyard Studio demo LC
Never Known - Graveyard Studio demo LC
Experiment in Fifth - Graveyard Studio demo LC
Untitled LC demo - Graveyard Studio demo LC
Never Known - Four Track home demo
Mavuchka - released in place of Messidor in some territories on LC

Credits

Albums re-mastered from the original tapes by Keir Stewart.

RETURN OF THE DURUTTI COLUMN All songs written by Vini Reilly. Produced by Martin Hannett. Recorded at Cargo, Rochdale. Engineered by John Brierley. Mixed at Strawberry Studios, Stockport.

LC All songs written by Vini Reilly. Produced by Vini Reilly and Stewart Pickering. Recorded and Mixed at Graveyard Studios, Prestwich. Engineered by Stewart Pickering.

ANOTHER SETTING All songs written by Vini Reilly. Recorded and mixed at Strawberry Studios, Stockport. Engineered by Chris Nagle.

WITHOUT MERCY All songs written by Vini Reilly. Produced by Anthony Wilson and Michael Johnson. Recorded at Strawberry Studios, Stockport. Engineered by Michael Johnson; assisted by Tim Dewey and Nigel Beverley. Mixed at Britannia Row, London.

DEMOS / STUDIO All songs written by Vini Reilly. Compiled and mastered from studio and home demos at Far Heath Studios by Angus Wallace and at Kooky by Phil Cleaver. Thanks to Mike Mitchell.

LIVE All songs written by Vini Reilly. Compiled and mastered from original cassette mixing desk dates at Kooky by Phil Cleaver. Special thanks to Bruce Mitchell for the source material.

Liner notes written, and interviews conducted, by John Cooper. Archival album photography by Carsten Fleck. Designed by Steven Hankinson. / Kooky acknowledgements: Special thanks to Bryn, Iain, John and Simon (the 'kooky thinktank'); Bruce Mitchell and Mike Mitchell for the live and demo material; Oli Wilson for assistance in providing the original masters; Emma and Alison. Extra special thanks to John Cooper, John Cox, Darren Crawford, Steven Hankinson and Kerry Wadsworth for making this happen very well very quickly.

Vini Reilly acknowledgements: Thank you for keeping the ship afloat Mr Bruce Mitchell Esq. (The Gonzo Drum Master), Mr Keir Stewart for enabling Vini to record and producing beyond the call of duty, Brosci (the 5th member of The Durutti Column), all of Bruce's family, all of my family, all of Poppy's family (contributions from Kate and Ruby), Michael Pitrick for hairstyle, Phil Cleaver and Emma, Alex McMurtrie, John Cooper, Gary at Sounds Great, Damian my doctor, Joanne Ingleby (dental care), my harvest mouse (Sa Ding Ding), Mr Anthony H Wilson and extended family, Alan Erasmus, Les Thompson (and Jill), Laurie Laptop, Mark Prendergast (for forthcoming book), John Lennard and Savanna, Howard Sharrock (the great entrepreneur and friend) and Bruce Mitchell most of all - my best friend and the most superb drummer on the planet.

--

A 6-CD limited edition box set on Kooky Records entitled 'Four Factory Records'.

Includes a package of interviews with the key protagonists from the period including Vini Reilly, Bruce Mitchell, John Metcalfe, Keir Stewart and Tim Kellett.

Advance copies were sold at the Manchester International Festival shows 15-17 July 2009. It was then be available in all good record shops (actual and virtual) and direct from Kooky from August 2009. All sets will include the two bonus discs.

Kooky has tried to make this lavish package available at a sensible price. It is now on sale again via the Buy It Now button. Please note that the initial run of 1175 has now sold out. Copies now being offered for sale are identical in every way to the initial release except for the fact that they are not numbered.

Live in Bruxelles 13.8.1981

Live in Bruxelles 13.8.1981

CD: UK 12.07 (LTM LTMCD 2499)

Tracklisting

Sketch for Dawn
Messidor
Jacqueline
Conduct
Sketch for Summer
Danny
Stains (Useless Body)
The Missing Boy
Self Portrait (Version)
For Belgian Friends
Interview

Notes

Live In Bruxelles comprises a complete live performance by Vini Reilly and Bruce Mitchell at the Place de la Monnaie (Muntplein) in Brussels, Belgium, together with a lengthy after-show chat with Vini. The ten song live set contains DC favourites such as Conduct and Sketch for Summer, as well as several rarely heard numbers including Stains, Danny and Messidor. The attractive booklet for this digitally remastered CD includes extracts from the original event programme, as well as background notes and archive images. 11 tracks, 60 minutes.

Available direct from LTM and in good record shops.

Domo Arigato [Factory Once, 1998]

Domo Arigato [Factory Once, 1998]

CD: UK 05.10.98 (Factory Once Facdo 144 / London 556 038-2)

Tracklisting

Sketch For Summer
Sketch For Dawn
Mercy Theme
Little Mercy
Jacqueline
Dream Of A Child
Mercy Dance
The Room
E.E.
Blind Elevator Girl
Tomorrow
For Belgian Friends
Missing Boy
Self Portrait
Audience Noise

Related Works

Our Lady Of The Angels
White Rabbit
When The World (Newson Mix)

Credits

All tracks written by Vini Reilly. Produced by Durutti Column and Anthony Wilson.

Vini Reilly: Vocals, Guitar, Piano and DX7
Bruce Mitchell: Percussion, Xylophone and DMX
Tim Kellett: Trumpet
John Metcalfe: Viola

Recorded by G.Y.N.E. Mobile Recording at Gotanda Kanihoken Hall, Tokyo; 25th April 1985; Remixed at G.Y.N.E. Mobile Recording and Nippon Columbia Studio No. 4; PCM Editing Engineer: Hideki Kukizaki; Engineers: Anthony Wilson and Norio Okada; Concert Organisation: UPU and Moon Office

Related Works

Our Lady of The Angels, written by Vini Reilly. Recorded by Stuart James at Amigos Studio, North Hollywood and mixed by Stephen Street at Strawberry Studios, Stockport, England. A Factory Communications Record 1987. [From Fac 184]

White Rabbit, originally written by Grace Slick. Recorded and mixed by Stephen Street at Strawberry Studios, Stockport, England. A Factory Communications Record 1987. [From Fac 184]

When The World (Newson Mix), written by Vini Reilly. Recorded and mixed by Stephen Street at Strawberry Studios, Stockport, England. A Factory Communications Record 1987. [From Facd 194]

With thanks to Tony, Bruce.Graphic Magicians: 8vo, London

Liner notes by Anthony H. Wilson

Home from home in a Tokyo car park

Why was it so hard to get served in this bloody Japanese restaurant somewhere in a far flung suburb of Tokyo.

We'd been waiting twenty minutes since ordering. Finally the manager came over, very apologetic as only the Japanese can be; our two waitresses were giggling and in shock in the kitchen because 'Vini Reilly' was actually in their restaurant and were so excited they were unable to come out and serve us.

Yeah. Vini isn't exactly an international celebrity, but when he's loved, he's very very loved.

It was a fun / strange tour, that trip to Tokyo. Bruce Mitchell explaining to me how to deal with our Japanese partners, just keep explaining your point, again and again and finally someone will say "Hai" and you're on your way.

I was trying to get two 35mm cameras instead of 6 video cameras to film the Durutti Column gig and it only took me two and a half hours of repeating this to get a "Hai". I preferred waiting for the food.

The DC entourage that had built up for the 'Without Mercy' album had slimmed down to a wonderful core of Vini, Bruce, John Metcalfe on viola and Tim Kellett on trumpet. They'd done three definitive gigs at the Electric Cinema on London's Portobello Road and I was praying that we could capture that once more in Japan, with tape and camera. We did.

Thank you. Or Domo as they say out there.

Mixing down was fun; we were on a flight out next morning so the wonderful Takao Homma at Nippon Columbia hired a mobile studio recording truck. We mixed from midnight till 6 a.m. And it was another of those warming technological experiences; brought the strangest of foods throughout the night in those lacquered lunch boxes that seem to dominate Japanese working life, while we worked with the most familiar of equipment -- the desk was emblazoned 'Amek, Salford, England' and the outboard was all 'AMS, Burnley, Lancashire'. Home from home in a Tokyo car park.

And by the way this is a CD; and has only ever been a CD; we reckoned it was the first CD only release in the UK when it came out the following year. And it was the note on which that whole trip had started; arriving late at night off the plane and taken by Takao to plug in the first CD player I'd ever seen and listen to ...... 'Power, Corruption and Lies' a test sample straight from the Denon pressing plant. Wow.

And then there was the trip to LA; getting Vini and Bruce a limo from the Hyatt to the Whiskey; 600 yards. We thought we'd go into a studio while were were there; I think it was Milo who sorted it.

There was this cool LA lady -- I'd met her at a New Order gig the previous summer and played Pac-woman with her and fancied her and failed miserably and Peter S. even asked me if, as I was doing so badly he could try instead and she was in a bunch of bands, and we got her to come and sing with Vini and her name is Debi Diamond and that's about it.

And 'Our Lady of the Angels' is Vini's tribute to that wonderful wonderful town. I didn't know my Franciscan history I'm afraid and the whole thing was only explained by reading Reyner Banham (thanks Mr Savage for yet another one), and discovering that the City of the Angels is in fact "El Ciuidad della Nostra Senora de Los Angeles de Porciuncula". LA for short. And the track is indeed a short cut to Mulholland Drive.

WOMAD Live

WOMAD Live

CDS: UK 1989 (Factory FACD 234)

Tracklisting

Otis [5:27]
English Landscape Tradition [3:18]
Finding the Sea [5:12]
Bordeaux [6:09]

CD ~ FACD 234 . Mastered By Nimbus

Credits

Vini Reilly: Guitar & Keyboards
Bruce Mitchell: Drums
Liu Sola: Vocals
Andy Connell: Keyboards
Recorded at Womad '88, St Austell, Cornwall
Live, direct to digital mix by Stuart James
Songs composed by Vini Reilly
Published by The Movement of 24th January Publishing / Zomba
Photography: James Martin
Cover: Johnson/Panas

Liner notes by Bruce Mitchell

All Durutti gigs, and there haven't been that many of them for God's sake, have trauma and difficulty built into them from the day they are booked. Can we get the musicians we want? Can all the random factors that cause the hiccups with our ever more complicated midi'd up backline be eradicated? Are we going to get enough time to bloody well set it all up?

Vin won't do a gig without introducing new songs. 'Boring' he says when it is suggested we play a set of songs that we all know and might be able to cope with, so rehearsals are arranged and gear is lumbered into our back room.

As the concert draws closer, and we are contracted to appear (and we are sue-able if we don't), Vini's health, ever precarious, is the overriding concern. I make the arrangements to move him about, I suppose, in much the same fashion as the mormon guard used to move Howard Hughes about. In the back of my mind I'm conscious that I shouldn't be forcing him along in his sometimes semi-comatose state but I cheerfully hardface the job along. I'm into all this discharging of responsibility crap, you know.

I no longer wonder why I'm going to all this trouble, because the music performance answers. That 70 minutes on stage consists of Vini changing the set list from the rehearsed arrangements, coping with the tuning, struggling with the machines, laughing at the cock-ups he's causing, but always playing those pieces with guitar and keyboard beyond anything I ever hear elsewhere.

On this show, Andy Connell, from some other group whose name escapes me at the moment, played some neat keyboard - that's him hammering away on the first track 'Otis', and him being clever on the other stuff. He's a good laugh, Andy. Probably knows what he's doing.

Liu Sola is an opera singer from Beijing. Her contribution was to emote in Chinese on a conductors nod from Vin on 'Otis' and 'Finding the Sea'. In Chinese, you note, we wouldn't want to start making it easy for you listeners, would we?

Vin suggested that I should personalise this product, I think he's feeling weird after his full cover photo on the current album, and wants now to spread the flak. It's not what was wanted from me I don't think, and it's not enough of a statement, but still, there were a few things to be said.

There were a few practical things to be said.

Bruce Mitchell

Domo Arigato

Domo Arigato


Domo Arigato; Laserdisc label

LP: JP 1985 (Factory Japan / Columbia FACT 144 / XY7356AY)
CD: UK 1985 (Factory FACD 144) *
VHS: UK 1986 (Factory FACT 144) [PAL]
BETA: UK 1986 (Factory FACT 144) [PAL]
VHS: JP 1985 (Factory Japan / Columbia FACT 144 / 118C68-9237) [NTSC] **
BETA: JP 1985 (Factory Japan / Columbia FACT 144 / 118C68-9237) [NTSC] **
CD: UK 05.85 (Factory Australasia FACD 144) ***
LD: JP 1991 (Columbia COLY-3005) [NTSC]

Tracklisting (LP)

ketch for Summer (2:22)
Sketch for Dawn (4:50)
Mercy Theme (2:16)
A Little Mercy (10:04)
Dream of a Child (6:37)
Mercy Dance (3:45)
The Room (4:40)
Blind Elevator Girl (8:12)
Tomorrow (2:50)
Belgian Friends (3:04)
Self Portrait (2:51)

Tracklisting (CD)*

Sketch for Summer (2:22)
Sketch for Dawn (4:50)
Mercy Theme (2:16)
Little Mercy (10:04)
Jacqueline* (5:35)
Dream of a Child (6:37)
Mercy Dance (3:45)
The Room (4:40)
E.E. (4:09)
Blind Elevator Girl (8:12)
Tomorrow (2:50)
For Belgian Friends (3:04)
Missing Boy (7:45)
Self Portrait (2:51)
{audience noise} (0:54)

CD Mastering text

FACD 144 MPO 02

Tracklisting

Sketch for Summer
Sketch for Dawn
Little Mercy
Mercy Dance
The Room
E.E.
Blind Elevator Girl
Belgian Friends
Missing Boy

Credits

Produced by Durutti Column and Anthony Wilson; Engineered by Anthony Wilson and Norio Okada; Recorded by G.Y.N.E. Mobile Recording at Gotanda Kanihoken Hall, Tokyo; 25th April 1985; Remixed at G.Y.N.E. Mobile Recording and Nippon Columbia Studio No. 4; PCM Editing Engineer: Hideki Kukizaki; Concert Organisation: UPU and Moon Office

Durutti Column personnel:
Vini Reilly: Vocals, Guitar, Piano
Bruce Mitchell: Percussion, Xylophone and DMX
Tim Kellett: Trumpet
John Metcalfe: Viola
All songs written by Vini Reilly
Published by Movement of 24th January Publishing
B/W Still Photos (England): Kevin Cummins
B/W Still Photos (Japan): Anthony Wilson
Design: 8vo
A Factory/Nippon Columbia Co-production
For Hilary and Oliver
© Factory Communications Limited

Notes

* Factory's first CD, and first CD-only release.
** Imported for use as US release. (Of Factory NY/Ikon sticker applied to inside of box.)
*** Imported UK issue only, initial copies with sticker having silhouette logo and "Factory Records Australasia Import".

Live At The Venue, London

Live At The Venue [front cover detail]


Live At The Venue [back cover detail]

LP: UK 6/83 (VU Vini 1)
CD: UK 1/04 (thedurutticolumn.com / Kooky DCC01)

Tracklisting

Party
Mother From Spain
Jacqueline
Conduct
Sketch For Summer
The Beggar
Never Known
Sigh Becomes A Scream
Friends In Belgium

Notes

The original release is a soundboard recording of which 4000 copies were pressed. In his liner notes, Bruce Mitchell explains how the deal came about: "An interesting wheeler-dealer, involved in bootleg recordings at the time, arrived in his cream Rolls Royce at a Mayfair hotel restaurant that he had appointed. He brought cash and me and Vini scribbled out a contract and an agreement on a white napkin that had been surrounding Vini's burnt bacon sandwich."

Bootleg audience recording cassettes also exist (inferior quality but with extra tracks).